On what basis it is making that argument isn’t clear, but it presumably relates to the slightly complicated series of deals that were done around the KC & The Sunshine Band songs in the 1970s and 1980s.

But, it seems, Sony/EMI argues that he doesn’t actually have a termination right. Having unsuccessfully tried to have the 1983 agreement set aside in both 19 – arguing that the deal should not stand based on allegations of fraud and incapacity – Finch is now trying to employ the termination right to reclaim his share in the KC & The Sunshine Band songs in the US, having begun the administrative process to do just that in 2019. Subsequent to that deal, Sherlyn Music Publishing was sold to Windswept Pacific Music Publishing, which was in turn bought by EMI Music Publishing, which was then itself later acquired by Sony Music Publishing.

The two men had previously set up a publishing company together to control their rights, which in turn had done deals with a company called Sherlyn Music Publishing.īut – having fallen out with his former bandmate and songwriting partner – the 1983 deal saw Finch walk away from that company too, as well as giving up both his share in the KC & The Sunshine Band copyrights and his writer’s share in any royalties. Although even on the songs side, there are some technicalities that can get in the way.įinch is trying to terminate a 1983 deal via which he assigned his share in the KC & The Sunshine Band songs he had co-written to the band’s lead singer – and the other co-writer of those works – Harry Wayne Casey. However, on the songs side the termination right has proven less controversial, and songwriters have been routinely terminating old publishing contracts and reclaiming their rights for sometime now. Though plenty of artists dispute this viewpoint and there are test cases against all the majors currently working their way through the courts. Within the record industry there remains some dispute as to whether the termination right applies to record contracts, with many labels arguing that they are the default owners of any recordings made by artists they sign, so no assignment of copyright actually takes place, meaning there is no assignment to terminate. Under current US copyright law the termination right kicks in after 35 years. That termination right allows music-makers who assign their copyrights to a business partner to terminate that assignment and reclaim their rights – albeit only in the US – after a set period of time. Richard Finch – a founder member of KC & The Sunshine Band who co-wrote some of the group’s biggest hits – has sued EMI Longitude Music, part of Sony Music Publishing, in a bid to force the termination right under US copyright law in relation to a stack of songs including ‘That’s The Way I Like It’. “I stopped and waited and I could hear people’s voices … I followed from there and found my way out.Artist News Business News Labels & Publishers Legal Former KC & The Sunshine Band member Richard Finch sues Sony Music Publishing in termination right dispute By Chris Cooke | Published on Monday 11 October 2021 “Almost immediately the lights went out and I had no idea where the fire escape was,” Mr Bingham said.

He said the fire broke out about half an hour after he arrived and saw black smoke coming up the stairway. The court also heard from Clarence Bingham, a printer who escaped the deadly fire when he attended the nightclub. He also ordered she produce a USB containing the relevant material to the inquest. “We should know what recordings she has … we’re flying in the blind in regards to what Detective Gray does or doesn’t have with regards to my clients,” he said.īut Mr Ryan declined to exclude Detective Gray from the court, as it was not in the interests of justice. He said further cross-examination might be necessary due to the sudden emergence of the recordings. Mr Gnech asked state coroner Terry Ryan to order Detective Sergeant Gray to produce any further material relevant to the inquest. “On our initial assessment of that interview, my client never said those words.

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